100 Best TV Shows of the Decade: 100-91

This might have been the hardest part of the listing process. The top shows fell together pretty easy. The bottom 20 were toughest because I had about 60 shows to squeeze into 20 spots. Sorry, X-Files. Seeing as how only Seasons 8-9 fell in the 00s, you got the shaft, along with Heroes, Malcolm in the Middle, Ugly Betty, Spaced, Boomtown, Harvey Birdman and Keen Eddie.

So without further ado, 100-81:

100. Lizzie McGuire -- Ha! What were you expecting would be the worst of the best? Or the best of the worst? Everybody Loves Raymond? Most assuredly not! Anyone who's watched and enjoyed both Arrested Development and Lizzie McGuire will understand that the latter is basically a carbon copy of the former, only with less inappropriate humor and more loving familiness. What All That was to SNL, Lizzie McGuire was to AD. Easily the funniest kid show of the decade. And easily 100 on my list.

99. Scrubs -- For some reason, I just couldn't get past Zach Braff and his shenanigans. From time to time they were okay. BUT HE WAS ALWAYS TALKING! If J.D. were played by, say, Jason Schwartzman, Jason Siegel, or even Jason Statham, I would have enjoyed this show much much more. John C. McGinley, Neil Flynn and Judy Reyes are brilliant comedic actors, and deserves high praise from a peculiar people. Zach Braff? Drops the show to 99. Sorry, dude.

98. That 70s Show -- This sitcom should suck. And I'll readily admit, the last couple of season actually do. A cast of no name kids (at least, back then) who hang out in a basement in 70s Wisconsin? Really!? But Bonnie and Terry Turner wrote their hearts out on this one, and struck comedy gold with a cast of kids who really understood timing and sharing the stage. That combo's what elevates this one into the top 100. Also, Mila Kunis and Laura Prepon. They helped, too.

97. Everybody Hates Chris -- I told you in the intro, comedy rules in this house. You bring the funny, you get blogged about. This blog is why Chris Rock created a sitcom based on his life. This honor, number 97 out of 100, is the only thing Chris Rock ever wanted. I really, really wish more funny people who aren't white would get sitcomes these days. UPN was really the only network going out of their way to make that happen. And then they merged.With the whitest station. On the planet. Game over. Sorry, Chris. You'll always have No. 97.

96. Supernatural -- Speaking of the whitest station on the planet....Buffy and Angel made a name for supernatural dramedy on the WB, a torch Supernatural currently carries for the CW. While it's never quite reached the heights of its predecessors, the chronicles of the Winchester brothers do a fine job of bringing the funny while slaying demons and putting family first.

95. The Middleman -- Oh, ABC Family. You had no business airing this series. Twelve episodes of comic book to TV goodness. Javier Grillo-Marxuach (of Lost and Jake 2.0 fame) brought his graphic novels to ABC Family, not Sci-Fi or USA, and the show was screwed before it ever aired. Shame was, it was a really fun show, an odd mix of sci-fi/pop-culture zaniness, 1940s screwball comedy, and two secret agents, who on a weekly basis, saved the world from mad scientists, evil aliens and extra dimensional beings hellbent on destroying and/or taking over the world. Pure fun. But having nothing to do with the ABC Family brand. Oh well.

94. The IT Crowd -- On the BBC! The first of many British hits to grace this list, the IT Crowd tells the story of two socially inept technicians who get stuck with a technological illiterate female boss, and get shat upon by their corporate overlords episode after episode. Set in the basement of their company's London headquarters, nerd hilarity ensues. With accents. Anybody who's ever fixed a piece of technology for a co-worker will understand...but I guess you had to be there.

93. The Brak Show -- Adult Swim is an acquired taste. Most of their shows are hit and miss, but when they hit, they hit very, very well. The Brak Show was never the funniest show on Adult Swim, but the Brak character was one of the most ridiculous on television for a while. Originally a send-up of the suburban sitcom, most episodes took on the same hyper-surreal situations that Aqua Teen Hunger Force and Sealab 2021 made famous. And that Brak character. Oh my.

92. Warehouse 13 -- Quirk meet Sci-Fi; Sci-Fi meet quirk. TV writer extraordinaire Jane Espenson set the tone for this show, and Eddie McClintock and Joanne Kelly brought it to life as Secret Service agents who recover mysterious objects for storage in the even mysterious-ier Warehouse 13. Honestly, there is nothing special about this show other than its cast. No disrespect to the concept or the staff writers or the effects, but without McClintock, Kelly and the supporting cast of CCH Pounder, Saul Rubinek and Allison Scagliotti this would read like Sci-Fi's less than stellar fare (see Sanctuary, the Stargate franchise, et al). Funny characters are the best.

91. Brothers & Sisters -- A non-science fiction, non-sitcom! Rejoice! Brothers & Sisters would be much higher on this list if the morons at ABC had never fired Jon Robin Baitz after season one and Justin and Rebecca never started sleeping together after the new writers decided that they weren't related anymore. Whatevs. After a rocky start, Greg Berlanti joined Baitz and Ken Olin to craft one near-perfect season of family dramatics. And that cast: Flockhart, Griffiths, Rifkin, Wettig, Field, Rhys, Getty, Annabelle, Lowe, VanCamp....why does this show have to suck so much post-Baitz! Damn you, ABC! Damn you!!!